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A peacock appears on the island, with no clear explanation or motivation.
And the tango, a very un-Korean pasttime, makes a striking appearance in the film.
As he waits, the pressures of his work life start to recede, and he becomes acquainted with the young woman who runs the motel.
Named Lee So-yeon (played by -- sure enough -- actress Lee So-yeon of Untold Scandal), the woman is twelve years his junior, and possesses an unusual energy and enthusiasm.
One is that such a low-budget film looks so good visually.
In Flower Island, Song showed an unusual talent for the aesthetics of digital cinema, but here he takes it one step further.
Lee So-yeon makes her slightly thin character memorable through considerable screen presence, while Jang Hyun-seong of independent films Nabi and Rewind gives the performance of his career.
(Darcy Paquet) There was a lot going on in the world of Korean film at the beginning of 2005.
Now, years after breaking up, he returns to the small island named Biyang-do, wondering if his ex-girlfriend will remember their appointment.
(It seems appropriate that Git's basic setup recalls Richard Linklater's Before Sunset, another film that stands out for the beauty and simplicity of its construction) On Biyang-do, the director -- named Jang Hyun-seong, the same as the actor who portrays him -- is overpowered with both memories of the past and the beauty of the island.
What followed next was a powerful nine-week run in the domestic box office where the film eventually went on to gather more than 5 million viewers.
Although it did open in the number two seat slightly behind Another Public Enemy, word of mouth soon launched it into the number one position during its second week.